Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts

Sunday, July 22, 2012

More focus

I become more focused every day.  Fewer disparate things attract my attention as significant.  Concentrating very hard these days, still failing miserably.








 


  Bread and Puppets Museum: Glover, VT

This place lies in the northeast kingdom, almost 3 hours away. The man who started the phenomenon, Peter Schumann, came from France to New York in the early 60s, started building puppets and making bread. His shamanic vision: "Art should be as basic to life as bread". He would serve the bread to friends and they would eat while he put on puppet shows for them. He continued to build puppets which became more infamous, taking part in anti-war protests and putting on large street performances. By 1974 he moved himself and his puppets to Vermont.

The tone of the farm changed to commune, the performers lived and worked in a closed community, and performed to any who would watch. A yearly, weeklong pageant became the habit of the puppets drawing more and more people every year. By the 1990s, these pageants drew tens of thousands of people to camp near the museum. Increasingly dissipated in focus, the event drew more people until it reached a critical mass in 1998, becoming unmanageable. A fight which resulted in the death of one participant signaled the end of these pageants. Now they put on a weekly sunday show in their "Papier Mache Cathedral" for onlookers, but no one camps there anymore. People attracted by the power of the thing. 

 How could something like that remain pure?


 







Declaration of Intent


The first page, glaring mistakes and all. The thing forms and manifests itself. Ideas continue to seep into my mind from some other place faster than I can pen them down and keep track of them. Whatever is going on is both wonderful and terrifying. Fruits of just a few months hard practice. 

Page 2 sits on my drawing table, almost complete. Page 3 has a refined sketch, waiting for page 2 to be finished. Page 4-10 are rough sketches and outlines of words. 


 How can I just do this? I need more time.

The knight of swords.  I experience great difficulty and discomfort currently, an uncomfortable alchemical experience.  Sir sword wants me to persist, and he will cut through opposition while I plug away and suffer some transformation or the other.




Sunday, June 10, 2012

Augoiedes








Invocation to end paranoia

Sweet mother Awilix, you blend with the night because you are the night.  You live in all darkness, watchful and waiting, the sky: too small to hold you.  Bear your teeth to light the path, your dripping bloody tongue.  Push your fingers through my chest, stop my breath.  Peel back the skin, for the face of your drum.  Roll out my intestines and wear them about your neck.  Grind my bones between your teeth to make your children dance.  My blood, your wine.  My lungs, your trumpet.  Mother of demons who live in all dark places, all haunted places, things impossible to understand.  Mother of 22,000 breaths.  The animator of tissue, the origin of the current.

A painful birth that almost killed you, this aether.  The strange place of the half formed somehow between and inside of everything. Mother of the beetle they call Kephra a pyramid and a world away.  Where he jumps your aether collects, the half formed transform into the darkest of things, resting finally manifest within the five directions. Where he jumps we break through great resistance, finding a better way. 

Bring madness and break me.  Change itself, your image brings pain.  You drip from above to the center of the earth, rotating behind your ribs. Calamity and fortune, twins in the same body, your horrible child.  Your dead husband planted his seeds, twins born from a crack in the serpent who outlives eternity. Turn the heads of your child(ren), show their face, the same face.  Their forms overlap, bend, change, but remain the same eternally.  The lookout changes, the red eyes of the jungle smolder.    
Your worship beats back aversion.  Fear of the dark is your yantra, the smell of disease in the feces of an animal your mantra.  Breathe deep, stop moving  and close the eyes, wait for time to pass.  Never fear the dark and she will always sit next to you.  No body remains, no mind, no self.














A splinter in the mind, the other entered.  Does it watch?  Do they watch?  No one watches.  No one cares.  The center of the universe, so crowded.  Take all for your master.  The wind whispers its secrets across the grass.  The insects speak in the night.  Find their message in the morning, written in the language of their footsteps describing a path to the center of the tree.   People speak in fragments that combine and instruct.  Invoke often.  40 days and 40 nights of silence, listen carefully.  Daily life becomes a dream.  Soon a lucid dream. 

Be still and the bricks tell you their story, show you their secrets.  To the world you stare at the wall, unreachable.  Channel yourself into something, changed by everything. Extract information: bits and pieces.  Silence, stillness, gnosis.  Stillness at length resembles pain, and pain teaches.  Use movement and the structure of the body to discriminate, lose the mind. An instrument and an appendix, gets in the way.  The enteric nervous system, gut instinct, sharpen this instrument instead.  The future requires preparation as it happens. 

Grab hold of the strands of what may come by honing the ability to observe what sits in front of you.  Your brain projects you outward and changes how you see.  Live in the prerecordings by observing trends that occur over time in your own mind and the environment.  In this way, the present also creates the past.

Don’t trust anyone who says they can see the future, even yourself.  An unpredictable life is one worth living.

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